Shadow and Light: The Transitory
Summer, 2004
Fiona Sampson
Four Poems
Moon Bandurria
-----For Julian
The night the sky refused to fly
dogs sang in darkness, bleached earth
lay in terraces round the hills, the screen door -
opening - set off a trail of echoes
shooting like stars across the desert.
The night the sky refused to fly
I was there. I was up in it,
my cool terrace slanting towards blackness,
tall night-ships sailing slowly west
across my forehead. These are the things we dream of
during shuttered days: the milk
throat of night pouring endlessly, soundlessly
and we, astonished at ourselves, touching it,
finding ourselves alive.
Siesta
Tush-tush. Eyes fan black.
Look:
your skin burning coral and jet.
Lashes lift turn
fall
in the room's milky breath.
Dome of a cheek.
Peonies lying half-unwrapped, the paper's
blue.
Symmetry of presence
and space
breathing against each other
filling, emptying. Full.
In The Vault Of Sleep
Heat is not a straight line it is a vault
breaking away
opening
occupied space, a cosmosphere
for sleep voyages
heat's umbrella-wing thrust out
like your arm that burning line
*
beyond skin the space of a skin opening
flags opening in bright wind roar of a clean engine
how to explain? how
the drag of space inward and out
(vacuumed flame) the bird
flaming its wing flung
how summarise
*
the magnetism
between flame's root its hair
that causal tension
closing bird-flight folded
and body-dense
the beautiful burn?
Nocturne in Blue and Black
At dusk a jeep drives this way
its headlights passing through the small avenue of ash trees
business-like as cutlery on a blue plate.
Sky smudges the distance where the jeep merges
into blue dusk. The track under the headlights
is corrugated. The jeep black and business-like.
At dusk everything is black and blue,
bruised by autumn, rain, the long night to come.
The jeep rolls along the track like a china toy
and through the open window comes the smell of clay,
the lighter smell of drizzle in blue air.
The jeep passes black ash trees like forks
in the wide landscape. And the track is a knife,
dented and tarnished from over-use.
The jeep is small. Its headlights blacken the sky,
the track ahead and behind, the fields turning into sky.
Even their clay is black, the spring wheat blue
under black sky. Headlights clatter across it all,
starting a hare. Later there'll be lamping.
Behind the jeep ash trees shine in the drizzle.
The blue fields and the jeep go on into the sky.